Happy Oscars Sunday! It's been a great awards season with many twists and turns, but perhaps the biggest surprise is the omission of the Best Song performances from tonight's ceremony. In years past, every Best Original Song nominee would be performed live by an actor or musician. To save time and shift the focus to the songwriters, these live performances have been excised.
It's a baffling decision by the Academy for two reasons, the first being that they are often the most memorable parts of the ceremony. The most celebrated Oscars moment of the past five years is undoubtedly Ryan Gosling performing "I'm Just Ken" to unrelenting cheers from an enthralled crowd. It wasn't just a fun moment, it felt instantly iconic.
More importantly though, these performances celebrate the music that's vital to these films. I understand the desire to focus on the songwriters, as their contributions are incredibly important. But honestly, the performers are just as important too. Songs like "Somewhere Over the Rainbow" and "My Heart Will Go On" would never have the same impact if they weren't sung by Judy Garland and Celine Dion.
Due to this change, I thought it would be a good time to listen to and rank every Best Original Song winner at the Oscars. My extensive journey included listening to every winning song as it appears in the movie and then ranking them off of a few factors.
First, I'm judging how effective these songs are, whether that be how catchy they sound, how much they make you tear up, or how well they compel you to dance.
In addition, since these are movie songs, I'm evaluating how well these tracks fit into the thematic story they enhance. I haven't seen every movie on this list, but I have a good idea of which songs move their stories forward just from watching the clips they appear in.
Finally, I'll be considering how cinematic the song feels overall. This is the most intangible quality to rate, so I can't perfectly explain it here. However, a truly cinematic song compels you in ways you can't explain, inspiring you to feel and desire as much as the characters on the screen.
With that being said, here's my personal ranking of every Best Original Song Winner at the Oscars.
"Call Me Irresponsible"- Papa's Delicate Condition (1963)
Written by Jimmy Van Heusen and Sammy Cahn
Performed by Jackie Gleason
Coming in last place is this little number from a fun movie about alcoholism. This song's lyrics really attest to the ruinous affect addiction can have on one's life, but Gleason barely sings here. Although his gruff voice is ripe for the material, this feels the least like an actual song, hence its last place finish.
"El Mal"- Emilia Perez (2024)
Written by Camille, Clement Ducol, and Jacues Audiard
Performed by Zoe Saldana and Karla Sofia Gascon
Like the film it's from, "El Mal" is not the worst, but it's pretty dang close. The fact that there's actual singing here saves it from last place, though Saldana's Spanish leaves a lot to be desired. The lyrics are also all over the place, lacking the subtle imagery that most Oscar songs wield. Still, it's technically a song, landing it in the top ninety.
"Sweet Leilani"- Waikiki Wedding (1937)
Written by Harry Owens
Performed by Bing Crosby
If you ever really need a Best Song Oscar, Bing Crosby's the man for the job. In this Hawaiian based film, Crosby's angelic vocals transform "Sweet Leilani" into a saccharine lullaby. Unfortunately, the movie version is just too short, making it one of the more forgettable tunes on this list.
"Talk to the Animals"- Doctor Dolittle (1967)
Written by Leslie Bricusse
Performed by Rex Harrison
A certified classic, the signature song of Doctor Dolittle offers many humorous, animal centric lines. Harrison delivers them dryly, which adds to the humor, but he never really sings them. As such, its inclusion is a bit baffling, even if its legacy is firmly cemented.
"It Might As Well Be Spring"- State Fair (1945)
Written by Richard Rodgers and Oscar Hammerstein
Performed by Jeanne Crain
The first of many perfectly adequate Oscar winners, this Rodgers and Hammerstein tune is just fine. Crain does most of the leg work here, singing her heart out with a firm yearning. However, the music and lyrics are forgettable, albeit enjoyable.
"In the Cool, Cool, Cool, of the Evening"- Here Comes the Groom (1963)
Written by Hoagy Carmichael and Johnny Mercer
Performed by Bing Crosby and Jane Wyman
Crosby returns, this time as half a duo with Jane Wyman in this extra showtune. His voice doesn't really get to shine here, as most of the song is a fun back and forth between him and Wyman. Again, there's not much singing, but it is catchy.
"Thanks for the Memory"- The Big Broadcast of 1938 (1938)
Written by Ralph Rainger and Leo Robin
Performed by Bob Hope and Shirley Ross
Another duet, this time shared by an overtly sentimental Hope and Ross. The singing here isn't top notch, but it's certainly pleasant. Rather, it's how well Hope and Ross exchange lines that makes this feel worthwhile, as it attests to the chemistry a solid duet can evoke.
"Buttons and Bows"- The Paleface (1948)
Written by Ray Evans and Jay Livingston
Performed by Bob Hope
A classic song recorded by many musical legends, "Buttons and Bows" began as an accordion tune played by Bob Hope in a covered wagon. It's incredibly catchy, especially when delivered via Hope's twang. Still, it's not the most moving song, and Hope's rendition is far from the definitive version.
"Never On Sunday"- Never On Sunday (1960)
Written by Manos Hatzidakis
Performed by Melina Mercouri
The first winner from a foreign language film, "Never On Sunday" is simply enchanting. Mercouri does a great job of blending her soft vocals with the ornately arranged Greek music. It's not exactly the most memorable song, but it does transport you to the film's idyllic setting with ease.
"Let the River Run"- Working Girl (1988)
Written by Carly Simon
Performed by The St. Thomas Choir of Men and Boys
While Simon does have her own excellent version, the choir one appears in the film, so it's the one being considered here. It utilizes an African folk sound, characterizing New York as a jungle of sorts. This ambitious song works well for the intro, but probably won't get many replays anywhere else.
"It's Hard out Here for a Pimp"- Hustle and Flow (2005)
Written by Frayser Boy, Juicy J, and DJ Paul
Performed by Terrance Howard and Taraji P. Henson
I must admit, I've never really been a fan of rap, so I'm not the best judge here. Still, this track does little to raise my interests in the genre. For the film though, it fits, especially with how much commitment Howard and Henson bring to the table. Plus, it's definitely not forgettable, which can't be said for every song on this list.
"I Need to Wake Up"- An Inconvenient Truth (2006)
Written and performed by Melissa Etheridge
Tonally, "I Need to Wake Up" is the perfect fit for the environmental documentary that spawned it. Like the film, it's both loud and pushy, but retains enough genuine concern to be taken seriously. Perhaps a bit too basic to achieve its lofty goals, Etheridge's song remains a fine tune, even if the sound is pure 2000's.
"The Continental"- The Gay Divorcee (1934)
Written by Con Conrad and Herb Magidson
Performed by Fred Astaire and Ginger Rogers
The inaugural winner for Best Original song, "The Continental" hits many of the notes you'd expect from a Golden Age showtune. It's catchy, jazzy, and always feels like it's about to unleash a killer dance scene (which it eventually does). With Rogers' darling voice, this song excels as a musical number or a pleasant earworm.
"Gigi"- Gigi (1958)
Written by Frederick Loewe and Alan Jay Lerner
Performed by Louis Jourdan
The title track from 1958's Best Picture winner, "Gigi" is a bit of a conundrum. On one hand, the music is epic, gradually ascending to an emotional outpouring that's so easily felt. On the other hand though, Jourdan only sings for like a fourth of it. Consequently, this one feels unimpressive overall.
"The Morning After"- The Poseidon Adventure (1972)
Written by Joel Hirschhorn and Al Kasha
Performed by Renee Armand
Another fine and pleasant song, "The Morning After" does a great job of showcasing its film. It oozes sentimentality, while Armand's voice hints at the impending doom lurching towards the characters. Unfortunately, Maureen McGovern's cover has become the definitive version, leaving the film one in a bit of obscurity.
"Mona Lisa"- Captain Carey, U.S.A. (1950)
Written by Ray Evans and Jay Livingston
Performed by Sergio de Karlo
For what it's worth, the film version is one of the most beautifully sung renditions of any song on this list. However, it clocks in at just around one minute in length, making it one of the easiest to overlook. While undeniably enchanting, its short runtime prevents it from ever feeling cinematic.
"Three Coins in the Fountain"- Three Coins in the Fountain (1954)
Written by Jule Styne and Sammy Cahn
Performed by Frank Sinatra
Another crooner who pulled in some Oscars, Frank Sinatra could easily elevate any song of his day. That's exactly what he does here, turning a conventional love ballad into a swooning epic movie theme. It's still on the more forgettable side, but Sinatra's voice and the backing orchestra are a match made in Hollywood heaven.
"Days of Wine and Roses"- Days of Wine and Roses (1962)
Written by Henry Mancini and Johnny Mercer
Performed by Original Cast
Mancini truly had a knack for imbuing classical music with a feeling of pure romance. While this isn't his most memorable Oscar winner, "Days of Wine and Roses" works perfectly as a film opener. It sets the mood, promising romance and elegance worthy of an orchestral serenade.
"Al otro lado del rio"- The Motorcycle Diaries (2004)
Written and Performed by Jorge Drexler
The first Spanish song to win an Oscar, "Al otro lado del rio" is an incredibly pleasant tune. From Drexler's sophisticated guitar picking to his softly yearning vocals, this song just relaxes you with ease. Of course, it's never exciting or insistently memorable, but it's just so easy to fall into.
"Born Free"- Born Free (1966)
Written by John Barry and Don Black
Performed by Matt Munro
A song Barry and Black fought extensively to get in the film, "Born Free" plays like a true song of freedom. Munro's distinguished voice bellows with confident gusto, as if he needs to tell the entire world about his freedom. It's definitely a product of its time, but that's not a bad thing, as Munro's 60's showmanship carries this track well.
"I'm Easy"- Nashville (1975)
Written and Performed by Keith Carradine
For a film that has like thirty songs, a good handful probably could've taken this honor. The victor though is "I'm Easy," a folk ballad sung by Carradine that's glittering with irony and sadness. It's a simple, straightforward song in a bombastic musical, but its bittersweet composition and genuine sorrow make it one of the best of the bunch.
"The Shadow of Your Smile"- The Sandpiper (1965)
Written by Johnny Mandel and Paul Francis Webster
Performed by Johnny Mandel and Jack Warden
An enchanting love song, "The Shadow of Your Smile" promises a deeply worthwhile romance. Vocally, it's nothing ambitious, but Mandel's soft approach gives the track a dreamlike, destined quality. There are more exciting love songs, but this one's too serene not to enjoy.
"Sooner or Later" - Dick Tracy (1990)
Written by Stephen Sondheim
Performed by Madonna
The first biproduct of Madonna's acting push, "Sooner or Later" feels like a jazzy throwback to the detective films of the 30's. It's sung competently enough, but it's the backing band that remains the most enticing part of this song. While not a bad theme song, it pales in comparison to others here, as well as Madonna's own discography.
"Lullaby of Broadway"- Gold Diggers of 1935 (1935)
Written by Harry Warren and Al Dubin
Performed by Winni Shaw
One of the showiest showtunes on this list, "Lullaby of Broadway" excels as an ode to Broadway theatre. Anchored by Shaw's raw vocal prowess, this tune swells with unyielding excitement, up until it hits that high note right in your face. It's definitely rooted in 30's vaudeville culture, but its entertainment factor is off the charts.
"The Last Time I Saw Paris"- Lady Be Good (1941)
Written by Jerome Kern and Oscar Hammerstein II
Performed by Ann Sothern
Another classic song, "The Last Time I Saw Paris" embodies the elegance of Hollywood's Golden Age. Sothern's vocals lift the song to great heights, as the lyrical storytelling feels like a film of its own. It's still a bit forgettable, but the vulnerable nostalgia it conjures up remains enticing.
"We May Never Love Like This Again"- The Towering Inferno (1974)
Written by Joel Hirschhorn and Al Kasha
Performed by Maureen McGovern
The second Hirschhorn and Kasha song in a disaster film, "We May Never Love Like This Again" greatly improves upon "The Morning After." Like a beautiful premonition, McGovern yearns to hold on to love before it's too late. Sadly, this film only utilizes a minute of the whole song, which severely handicaps its effectiveness.
"Jai Ho"- Slumdog Millionaire (2008)
Written by A. R. Rahman and Gulzar
Performed by A. R. Rahman, Sukhwinder Singh, Tanvi Shah, Mahalaxmi Iyer, and Vijay Prakash
A cultural phenomenon upon release, "Jai Ho" captures the jovial spirit of the culture that spawned it. As a song though, it has a few flaws, such as an overreliance on autotune and chanted lyrics that come across as slightly annoying. However, it's impossible to forget, especially when placed at the end of an inspirational Best Picture winner.
"The Weary Kind"- Crazy Heart (2009)
Written by Ryan Bingham and T Bone Burnett
Performed by Colin Farrell and Jeff Bridges
Honestly, it's a shame Farrell doesn't sing more, as he's pretty damn good at it. "The Weary Kind" showcases this, as his delicate singing proves perfect for this emotional folk ballad. Jeff Bridges gives it a go too, although he isn't quite as affective. Again though, we only get about a minute of Farrell's version, hence the lower rank.
"You Light Up My Life"- You Light Up My Life (1977)
Written by Joseph Brooks
Performed by Casey Cisyk
Another stellar romance song, "You Light Up My Life" is more than capable of matching the film's passion. Cisyk's vocals ensure of that, as they swell with affirmation and belt out with pure glee. It gets a little lost when compared with the other love songs here, but it's certainly worthy of a big screen romance.
"Into the West"- The Lord of the Rings: The Return of the King (2003)
Written by Annie Lennox, Howard Shore, and Fran Walsh
Performed by Annie Lennox
One of The Return of the King's eleven Oscar wins, "Into the West" caps an excellent trilogy with a beautiful introspection. Lennox's vocals are crucial, as they bring an otherworldly quality fitting for Middle Earth. It almost feels like a reward for finishing such a long trilogy, even if it's not among the film's best moments.
"High Hopes"- A Hole in the Head (1959)
Written by Jimmy Van Hesuen and Sammy Cahn
Performed by Frank Sinatra and Eddie Hodges
The most recognizable song on this list? I'm not sure, but "High Hopes" is about as iconic as they come. While it's not exactly Sinatra's finest work, it's nearly impossible not to sing along to. The film version is quite rough, especially compared to Sinatra's later versions, but it's still sure to inspire a smile.
"It Goes Like It Goes"- Norma Rae (1979)
Written by David Shire and Norman Gimbel
Performed by Jennifer Warnes
Much like the film it accompanies, "It Goes Like It Goes" attests to both the joys and struggles of working class life. It's a simple song, but Warne's beautiful vocals promise that this is a life worth living. While it's not instantly iconic, this track compliments its film quite well, especially in terms of perseverance and spirit.
"We Belong Together"- Toy Story 3 (2010)
Written and Performed by Randy Newman
By the time Toy Story 3 was released, the franchise felt far overdue for a Best Original Song win. "We Belong Together" proved to be that winner, even if it didn't match the previous two nominees. Still, Newman's work brings a sense of joy that's crucial to the Pixar brand. It's not the most transformative song here, but it might just be the most pleasant four minutes on this list.
"Fight For You"- Judas and the Black Messiah (2020/21)
Written by D'Mile, H.E.R., and Tiara Thomas
Performed by H.E.R.
The winner during the noticeably weak pandemic year, "Fight For You" remains one of the more memorable winners from the ceremony. Under H.E.R.'s soulful voice, this song manages to be both groovy and conscientiously probing. Like its title, it holds on to a willingness to fight, not to cause issues, but to empower all who listen.
"Naatu Naatu"- RRR (2022)
Written by M. M. Keeravani and Chandrabose
Performed by Rahul Sipligunj and Kaala Bhairava
On its own, "Naatu Naatu" is an acceptable, but mostly forgettable song. Within the film though, the frenetic energy truly unleashes, and the song's penchant for joy and dancing are fully felt. It's still not the most impressive song on this list, but it sure knows how to have fun.
"You'll Never Know"- Hello, Frisco, Hello (1943)
Written by Harry Warren and Mack Gordon
Performed by Alice Faye
Although there are a number of love songs here, few are sung as sweetly as "You'll Never Know." With a pristine voice, Faye makes an unwavering promise that her love is both incalculable and unknowable. I have no idea if Hello, Frisco, Hello is a romance film, but after hearing this song, I hope it is.
"Secret Love"- Calamity Jane (1953)
Written by Sammy Fain and Paul Francis Webster
Performed by Doris Day
Sung by the great entertainer Doris Day, "Secret Love" is a powerhouse of a love song. Day's vocals are nothing but sweeping here, as she proclaims her love with an authoritatively impressive range. It bears its romance on its sleeve proudly, while Day shows she can bring the emotional depth needed for such a song.
"The Windmills of Your Mind"- The Thomas Crown Affair (1968)
Written by Michel Legrand, Alan Bergman, and Marilyn Bergman
Performed by Noel Harrison
The first psychedelic Best Original Song winner, "The Windmills of Your Mind" might be the most unique song on this list. Lyrically, it feels like a labyrinth of imagery and romantic tension, both of which unwind to Harrison's rapid fire recitation. It's definitely lacking a vocally stunning performance, but those lyrics are enough to spawn a film of their own.
"You Must Love Me"- Evita (1996)
Written by Andrew Lloyd Webber and Tim Rice
Performed by Madonna
The second of the Madonna sung Oscar songs does a much better job showcasing her talent and emotional appeal. An unusual ballad, "You Must Love Me" sounds like a traditional love song, but its lyrics hint at insecure longing. Instead, of straightforward admiration, Madonna gives us a complex mix of passion and pain, making this track one of the more intriguing love songs on the list.
"Que Sera, Sera"- The Man Who Knew Too Much (1956)
Written by Ray Evans and Jay Livingston
Performed by Doris Day
The only song to make it from a Hitchcock film, "Que Sera, Sera" sure doesn't sound like it belongs in a thriller. Yet, it does, as Doris Day turns a simple outlook on life into a classic singalong tune. It's sheer lust for life is a bit contagious, as are the nice backing instruments. If it matched the film a bit more, it would undoubtedly be higher.
"Writing's on the Wall"- Spectre (2015)
Written by Jimmy Napes and Sam Smith
Performed by Sam Smith
The first of three James Bond songs to make the list, "Writing's on the Wall" happens to be the least memorable. It's nothing against Sam Smith, whose vocal prowess is immediately noticeable (and enjoyable). Rather, the musical beats just don't hit with the same sense of danger that the other two do, leaving it a bit lower.
"Baby, It's Cold Outside"- Neptune's Daughter (1949)
Written by Frank Loesser
Performed by Esther Williams, Ricardo Montalban, Red Skelton, and Betty Garrett
Our first controversial song, "Baby, It's Cold Outside" remains one of the most debated songs of the Holiday season. We're talking about the film versions though, both of which playfully utilize the call and response to great effect. One version even switches the gender roles, showing the innocence of the song's inception. However, neither version reaches the heights that later covers would, which is a bit of a letdown.
"All the Way"- The Joker is Wild (1957)
Written by Jimmy Van Heusen and Sammy Cahn
Performed by Frank Sinatra
The highest Sinatra song on this list, "All the Way" makes the most of Old Blue Eyes' talent. With endearing lyrics and a moving score, this song lets Sinatra take us through the highs and lows of love. He hits every note and then some, resulting in an engaging love song perfect for a Hollywood romance.
"Swinging on a Star"- Going My Way (1944)
Written by Jimmy Van Heusen and Johnny Burke
Performed by Bing Crosby and other Cast Members
While Crosby's talent is undeniable, "Swinging on a Star" shows how effortlessly he can win you over. His soft vocals are immediately enticing, while the bouncy music takes you through this astral showtune. The lyrics aren't specific, but inspire an array of ideas, such as travel, romance, fame, and achievement of the loftiest dreams.
"Zip-a-Dee-Doo-Dah"- Song of the South (1947)
Written by Allie Wrubel and Ray Gilbert
Performed by James Baskett
The Citizen Kane of racist Disney films, Song of the South has a troubled history. Looking at just the song though, "Zip-a-Dee-Doo-Dah" remains pretty catchy. Although the lyrics are nonsense, Baskett's deep vocals make the song more enjoyable than it has any right to be. Still, it can be hard for many people to get through, weakening its overall appeal.
"The Way We Were"- The Way We Were (1973)
Written by Marvin Hamlisch, Alan Bergman, and Marilyn Bergman
Performed by Barbara Streisand
One of the most commercially successful songs on this list, "The Way We Were" has become a Streisand staple. That seems only fair, as her vocals make this fairly straightforward love song one of epic emotional proportion. It still sounds like many of the soft, safe hits of the 70's, but the film's passion is undeniably palpable.
"What Was I Made For?"- Barbie (2023)
Written by Billie Eilish and Finneas O'Connell
Performed by Billie Eilish
The most recent winner, "What Was I Made For?" showcases how important lyrics are to a great movie song. Of course, Eilish's vocals are great, dripping with introspective sadness, but it's the lyrics that really cement the song as an identity crisis. Referencing the film's title character and her own self discovery, this song prompts us to join her and find our own meaning in this plastic world.
"Chim Chim Cher-ee"- Mary Poppins (1964)
Written by The Sherman Brothers
Performed by Dick Van Dyke and Julie Andrews
Appearing twice in the iconic Mary Poppins, "Chim Chim Cher-ee" makes the most of two brief appearances. Thematically, it feels aggressively happy, as Van Dyke fluctuates from loud recitations to soft lullabies just to survive his dirty job. It works though, as the world of chimney sweeping becomes magical whenever Van Dyke sings.
"On the Atchison, Topeka, and Santa Fe"- The Harvey Girls (1946)
Written by Harry Warren and Johnny Mercer
Performed by Judy Garland
My favorite song that I had never heard before starting this project, "On the Atchison" is an absolute gem. It winds up slowly, simmering in Garland's majestic vocals before fully launching into a chorus of geographical joy. Working its way from a classic ballad to an energetic ode to train culture, this track excites in a way that only Garland could deliver.
"Evergreen"- A Star is Born (1976)
Written by Barbara Streisand and Paul Williams
Performed by Barbara Streisand and Kris Kristofferson
Unsatisfied with one Oscar winning song, Streisand decided to cowrite and sing "Evergreen" for a movie she also stars in. The results are undeniable though, as her voice connects with Kristofferson's in an ageless musical romance. It's about as conventional as movie love songs come, but it hits every note it needs to to remain a Hollywood legend.
"You'll Be in My Heart"- Tarzan (1999)
Written by Phil Collins
Performed by Glenn Close and Phil Collins
For a long time, there was a lot of contempt for Phil Collins' work, with this song garnering particular scorn. Luckily, that's changed in recent years, and "You'll Be in My Heart" is now highly regarded as a Disney classic for its calming tone, passionate vocals, and appeal to mothers and sons. It's probably not the best Tarzan song, but it's worthy of Academy merit.
"For All We Know"- Love and Other Strangers (1970)
Written by Fred Karlin, Jimmy Griffin, and Robb Royer
Performed by Larry Meredith
It's hard to encapsulate the intricacies and deep emotions of love into one song, but "For All We Know" nearly pulls it off. With just some strings and Meredith's soft voice, the beauty and hope of falling in love become apparent. It's not blindly optimistic, but unabashedly faithful in romance itself, looking to a future of limitless potential.
"(I'm Gonna) Love Me Again"- Rocketman (2019)
Written by Elton John and Bernie Taupin
Performed by Elton John and Taron Egerton
It's never a bad idea to let Elton John work on your soundtrack, as evidenced by his two Oscar wins. For this song though, John focuses on celebrating his long career with an ultra poppy sound and a clap along chorus. It was also a great move to sing with Elton portrayer Taron Egerton, as it highlights the impressive length of his unique career.
"The Way You Look Tonight" Swing Time (1936)
Written by Jerome Kern and Dorothy Fields
Performed by Fred Astaire
One of the oldest love songs on this list, "The Way You Look Tonight" has truly stood the test of time. Unfortunately for Astaire, it's Frank Sinatra's version that's most recognized these days. That's a shame though, as Astaire gives it a solid go, letting his soft vocals keep the focus on the romance at hand. Sure, Sinatra has all the showmanship, but the original has a genuine charm to it that few singers could ever match.
"Man or Muppet"- The Muppets (2011)
Written by Bret McKenzie
Performed by Jason Segel and Peter Linz
There's a bit of a magic trick pulled off by "Man or Muppet." Obviously, it's funny, as the idea of an identity crisis about one's Muppethood is quite ridiculous. However, the song commits to this crisis hard, offering searing lines of self doubt and pained vocals by Segel and his Muppet brother Walter. By sandwiching a steep emotional cliff dive between clever lyrics, the song becomes a hilarious gut punch, treading the line between humor and depth perfectly.
"If I Didn't Have You"- Monsters, Inc. (2001)
Written by Randy Newman
Performed by John Goodman and Billy Crystal
As Pixar was breaking ground in the animation game, they opted to look to the past for their soundtracks. In this case, it's "If I Didn't Have You," a showtime duet straight out of a 40's film sung by two monsters. It works though, mostly thanks to Goodman and Crystal's chemistry and Newman's Americana songwriting style. As such, this track attests to the power of friendship, sung gleefully by one of cinema's finest pairs.
"Love Is a Many-Splendored Thing"- Love Is a Many-Splendored Thing (1955)
Written by Sammy Fain and Paul Francis Webster
Performed by Studio Choir
I must confess, this is the only song whose film version I couldn't find on YouTube, so I'll try to judge it by the Four Aces' version. Despite that, it's clear that this is one grandiose love song. Sweeping in with a fine orchestra, "Love Is a Many-Splendored Thing" reminds us repeatedly that love is nothing short of an adventure. Finely tuned in the key of romance, the crooning vocals just envelop you until titular phrase is simply undeniable.
"I Just Called To Say I Love You"- The Woman in Red (1984)
Written and Performed by Stevie Wonder
It's hard to believe that one of the greatest love songs of the 80's came from a film about infidelity, but that's just the benefit of having Stevie Wonder in your wheelhouse. This song actually became his best selling single, which means a lot given his discography. It's hardly surprising though, as the sound oozes charm, especially the simple chorus that resonates with anyone who's ever fallen in love.
"When You Believe"- The Prince of Egypt (1998)
Written by Stephen Schwartz
Performed by Sally Dworsky, Michelle Pfeiffer, Whitney Houston, and Mariah Carey
There are actually two versions of "When You Believe": the first comes during the Exodus scene and is sung by Dworsky and Pfeiffer, while the second, sung by Houston and Carey, plays over the credits. I prefer the pre-credits version, but both are great. Each version includes inspiring vocals that build to a series of hopeful lines before becoming a complete outpouring of faith. Even if you're not religious, it's hard not to be compelled by the song's soulful faith.
"Glory"- Selma (2014)
Written and Performed by Common and John Legend
I've already mentioned that I'm not rap's biggest fan. However, "Glory" utilizes the genre so well that it's impossible for to deny its innate power. Switching between Legend's yearning vocals and Common's rapping, this song manages to tie the past and present of the Black civil struggle together. It's hopeful, resilient, provocative, and firm in its message. As soon as you hear Legend's voice, you know you're in for something special.
"No Time To Die"- No Time To Die (2021)
Written by Billie Eilish and Finneas O'Connell
Performed by Billie Eilish
The third Bond song to net an Oscar, "No Time To Die" also brought Eilish her first at the ripe old age of twenty. Truly though, Eilish and 007 proved to be a match made in heaven. Her sullen vocals and dread soaked music fit the overtly grim sendoff for Daniel Craig's Bond. Moreover, you can feel the dramatic tension throughout the entire song, which itself works as a final pleading for Mr. Bond to try and find a happy ending.
"Things Have Changed"- Wonder Boys (2000)
Written and Performed by Bob Dylan
I have never seen Wonder Boys, but if it's even half as interesting as Dylan's accompanying song, it must be incredible. Truthfully, "Things Have Changed" is one of the most cinematic songs on this list, as it's filled with intricate details, an apocalyptic atmosphere, and tonal indifference to it all. Some might complain about Dylan's especially gruff voice, but it's just jagged enough to sell the soulless world of his song.
"Remember Me"- Coco (2017)
Written by Kristen Anderson-Lopes and Robert Lopez
Performed by Benjamin Bratt, Gael Garicia Bernal, Anthony Gonzalez, and Ana Ofelia Murguia
In a way, "Remember Me" is as much a motif as it is a song. Appearing a whopping total of four times, this lullaby of a song ends up connecting an array of characters across space, time, and death. Its soft, beautiful brilliance transcends too, no matter who's holding the guitar. Most importantly, the song's repeated use emphasizes how music maintains our personal connections even after death.
"Say You, Say Me"- White Nights (1985)
Written and Performed by Lionel Richie
Honestly, I never would've guessed that a ballet drama needed such an intense song in "Say You, Say Me." That's exactly what Richie delivers though, a song of pure passion. As soon as those pounding keyboard notes hit and Richie's voice lifts off, the romantic tension becomes undeniably felt. It's endearing from start to finish, delivering poetic line after poetic line of pure bliss.
"Fame"- Fame (1980)
Written by Michael Gore and Dean Pitchford
Performed by Irene Cara
Unsurprisingly, the first winner of the 80's was "Fame," a fun, energetic pop song that still prompts you to dance. Sung by the film's lead actress, Cara, this song took an aspiration for greatness and drenched it with a disco sound. There are so many great parts in "Fame," but each one keeps you hooked until you're ready to fly. It should probably be higher, but it still lives in the shadow of another Cara sung dance hit.
"Let It Go"- Frozen (2013)
Written by Kristen Anderson-Lopez and Robert Lopez
Performed by Idina Menzel
Depending on how you feel about Frozen, this could either have been at the top or bottom of this list. I'm pretty indifferent, but it's hard to deny that "Let It Go" is a great song. Vocally, the Queen of Broadway, Menzel, gives a powerhouse of a performance, never even struggling to hit the high notes. Also, the song itself has substance, operating as a cathartic moment of empowerment for Elsa and anyone who can relate to her.
"Streets of Philadelphia"- Philadelphia (1993)
Written and Performed by Bruce Springsteen
There are movie songs and then there are songs that could be movies. "Streets of Philadelphia" firmly belongs in the latter. Springsteen's song mirrors the film it's in by showing how it feels to watch your life slip away. His song builds a vibrant, but indifferent city that's too cold to help our hero. It's quite similar to Dylan's "Things Have Changed," except Springsteen leans farther into the psychological damage a cruel world can inflict.
"Theme from Shaft"- Shaft (1971)
Written and Performed by Isaac Hayes
There are many reasons Shaft's theme made Isaac Hayes the first Black person to win the Best Original Song Oscar. First off, it's funk at its purest, as there's really no restraint on this prolonged jam session of a song. In addition, this song encapsulates Shaft's character, letting us know that he's tough, stylish, and a true ladies man. It's not the most complex or lyrically driven song on this list, but it does set the film's tone in an unabashedly fun way.
"Falling Slowly"- Once (2007)
Written and Performed by Glen Hansard and Marketa Irglova
Perhaps the longest song on this list, "Falling Slowly" occupies six minutes of its film's runtime. Despite this, it might also be the most beautiful song you'll hear on film. Hansard and Irglova's duet, which comes together before our eyes, tells the story of a strained relationship that's weathered many storms. With an acoustic accompaniment, the emotions rise quickly, until a vocal harmony is reached and we know this relationship will survive.
"Beauty and the Beast"- Beauty and the Beast (1991)
Written by Alan Menken and Howard Ashman
Performed by Angela Lansbury
The classiest Disney song, "Beauty and the Beast" has earned a legendary status among movie history. Sung by Dame Angela Lansbury, this song brings an elegant style to a mismatched fantasy romance. Although this love is a fairy tale, Lansbury's vocals add a dimension of respect that demands this story be taken seriously. Perhaps it's not the most re-listenable song on the soundtrack, but it truly reflects how instantly you can fall in love.
"Up Where We Belong"- An Officer and a Gentleman (1982)
Written by Jack Nitzsche, Buffy Sainte-Marie, and Will Jennings
Performed by Joe Cocker and Jennifer Warnes
Another stalwart of a romance song, "Up Where We Belong" has a tremendous ability to make you swoon. The mismatched duet takes center stage here, as Warnes' fine tuned voice clashes against the unrelenting grit of Cocker's voice. Together, they recite some universal truths about love, as the accompanying piano completes the heavenly ballad. There are some great love songs here, but few hit the powerful notes that this union does.
"Last Dance"- Thank God It's Friday (1978)
Written by Paul Jabara
Performed by Donna Summer
A few songs tried to blend the sounds of the 70's with a movie anthem, but none were quite as effective as "Last Dance." This Donna Summer hit seems pretty straightforward, as it simply implores you to dance over and over. However, Summer's compelling vocals and an erupting flurry of music fills this song with an energy unlike any other. It flies under the radar, especially with so many great tracks here, but it truly embodies the free spirit of dance.
"Under the Sea"- The Little Mermaid (1989)
Written by Alan Menken and Howard Ashman
Performed by Samuel E. Wright
Everyone's favorite calypso crustacean song, "Under the Sea" is a vibrant escape to Disney's ocean world. With Wright's vocals, the song leans fully into its calypso background, opting for a Caribbean party to celebrate the sea culture. It's not the most serious of songs, but it envelops the listener with ease, spreading a jovial spirit and provoking listeners of all ages to dance.
"When You Wish Upon A Star"- Pinocchio (1940)
Written by Leigh Harline and Ned Washington
Performed by Cliff Edwards
If any song has taken on a life of its own, it's probably "When You Wish Upon A Star." In the film, this song not only introduces Pinocchio's journey, but also affirms that our greatest fantasies are achievable. It's the latter sentiment that Disney has become associated with, making this track their perfect anthem. It might not be your favorite Disney song, but you've definitely heard it at a theme park, after the Super Bowl, or right before a Disney film.
"Raindrops Keep Fallin' on My Head"- Butch Cassidy and the Sundance Kid (1969)
Written by Burt Bacharach and Hal David
Performed by B.J. Thomas
Truly and unabashedly bittersweet, "Raindrops Keep Fallin'" continues to endear as a classic song. Thomas' vocals make this such a pleasant listen, as the simple strumming conjures a jovial spirit. Despite this happy sheen, the lyrics clearly point to impending doom, whether the singer realizes it or not. It's a brilliantly layered song, one that warrants several listens and attests to the foolish mindsets of the titular heroes.
"The Ballad of High Noon"- High Noon (1952)
Written by Dimitri Tiomkin and Ned Washington
Performed by Tex Ritter
Few songs have ever really embodied their movies as completely as "The Ballad of High Noon." Ritter plays the role of a lonely cowboy here, who pleads for his love not to leave him as danger ensues. Despite the tough ask, his vocals are so pure that we sympathize with him completely. As the ballad continues, his sense of justice continues to bleed through, even as the threat looms nearer. I'll always recommend watching High Noon, but if you can't, this song does a great job of relaying the film's dilemma.
"Colors of the Wind"- Pocahontas (1995)
Written by Alan Menken and Stephen Schwartz
Performed by Judy Kuhn
While this isn't Disney's finest film, it did bring us one powerful track, "Colors of the Wind." Led by Kuhn's commanding vocals, this track sweeps through a bevy of natural imagery to show the cultural contrast between the Natives and settlers. As a song, it's a compelling array of culture, offering an epic dive into the natural landscape. Perhaps it's not much deeper than that, but the musical capability is simply undeniable.
"Best That You Can Do"- Arthur (1981)
Written by Christopher Cross, Peter Allen, Burt Bacharach, and Carole Bayer Sager
Performed by Christopher Cross
I'll admit, I have no idea what Arthur is about. However, I can tell you that the cinematic qualities of "Best That You Can Do" are as compelling as any film. With Cross' angelic voice and a swooning array of saxophone, the best of New York City comes to life. This track then focuses on the allure of the night, promising an entirely different world where romance works like magic. Detailed to perfection, this song is just so easy to get lost in.
"City of Stars"- La La Land (2016)
Written by Justin Huritz and Pasek & Paul
Performed by Ryan Gosling and Emma Stone
While La La Land couldn't bring in Best Picture, it was pretty much a shoo in for Best Song. "City of Stars" ended up the victor, as its ability to encapsulate the film and setting simply couldn't be matched. With a soft layer of piano, Stone and Gosling take us through the magic of LA, looking at the restaurants and stars that could only exist there. It's not perfectly sung, but it's layered with hopeful dreams, adoration for a city, and a kindling romance that only the stars could spar.
"Skyfall"- Skyfall (2012)
Written by Adele and Paul Epworth
Performed by Adele
In my mind, there was little doubt about what the highest Bond song would be on this list. With incredible vocals by Adele and immediately dramatic music, "Skyfall" makes danger so alluring. Epic in scope, the entire track sounds like an omen that can't be beat, but must be played. Some might even argue that it's the best Bond song, proving that Adele has earned her spot in movie music history.
"Take My Breath Away"- Top Gun (1986)
Written by Giorgio Moroder and Tom Whitlock
Performed by Berlin
While the 80's produced a fair share of great Oscar winners, none lean as far into the 80's sound as "Take My Breath Away." As soon as those booming synthesizers hit, the romantic tone is set. Berlin delivers great vocals too, as the soft singing really works as a yearning for love. It's as straightforward as love songs come, but that title hook works too perfectly and the chorus does the rest.
"A Whole New World"- Aladdin (1992)
Written by Alan Menken and Tim Rice
Performed by Brad Kane and Lea Salonga
A quintessential Disney track, "A Whole New World" has its share of fans. Beautifully sung by Kane and Salonga, the song features a strong musical arrangement to support the duet. The result is instantaneous, as the excitement of a blossoming romance is stretched across a globe of possibilities. It's a fantastically compelling sentiment, one that's used to provoking effect in the film's best moment.
"(I've Had) The Time of My Life"- Dirty Dancing (1987)
Written by John DeNicola, Donald Markowitz, and Franke Previte
Performed by Jennifer Warnes and Bill Medley
The signature song of one cinema's best dance films, "The Time of My Life" holds up remarkably well. It's 80's by association, but the song has a musical composition that excels beyond the decade. The feature duet excels too, as Warnes' vocal range bounces off Medley's sturdiness. Perhaps the song is inextricable from its film, but when the medley works up to the beaming chorus, the romance extends far beyond the film.
"Lose Yourself"- 8 Mile (2002)
Written by Jeff Bass, Eminem, and Luis Resto
Performed by Eminem
I've been clear about being indifferent to rap, but there's no ignoring pure musical power. "Lose Yourself" is nothing but, as it might just be Eminem's best song. Closing out his semiautobiographical film, this track somehow compacts life's struggles, vices, and meaningful desires into one moment. That moment ends up becoming an opportunity for greatness, which Eminem and his character both seize. For the listener though, that moment can come at any time, so be ready.
"Flashdance... What A Feeling"- Flashdance (1983)
Written by Giorgio Moroder, Irene Cara, and Keith Forsey
Performed by Irene Cara
There always had to be one dance song to outlast the others, and for me, it's "Flashdance." Cara's vocals take center stage here, as she ferociously works up a storm of energy. The music supplants her journey, as the synthesizer sound leads to an an epic, feel good chorus. While the other songs prompt us to dance for fun, this one dares us to dance with purpose. Sure, it's a very 80's ideal, but the motivational qualities of this song compel far beyond the realm of dance.
"Shallow"- A Star is Born (2018)
Written by Mark Ronson, Lady Gaga, Anthony Rossomando, and Andrew Wyatt
Performed by Bradley Cooper and Lady Gaga
Who would've thought that the third remake of a film could produce such an intensely enjoyable song as "Shallow"? A true phenomenon, this track produced a fantastic duo composed of Cooper's strained voice scratching against Gaga's incredible range. Not only do we feel the pair's romance from the film, but we get a sense of their complex relationship, their journey of hurdles, and their enormous appetite to entertain the world. Blending country and pop, this song truly feels like it was sculpted from a cinematic moment.
"White Christmas"- Holiday Inn (1942)
Written by Irving Berlin
Performed by Bing Crosby
Although there are a few iconic songs on this list, "White Christmas" is probably the one you've heard the most. This Christmas classic has remained a staple for eighty years, thanks in large part to Crosby's pure vocals. It's clear that this song was destined for him, as his crooning voice takes us to a holiday land covered in snow. There's not much else needed here, as the inviting imagery matches Crosby's finely tuned voice. The only mark against it is that the studio version from 1947 is just a bit better.
"Can You Feel The Love Tonight"- The Lion King (1994)
Written by Elton John and Tim Rice
Performed by Kristle Edwards, Sally Dworsky, Joseph Williams, Nathan Lane, Ernie Sabella, and Elton John
The debate over the best Disney song will likely never end, but for me, "Can You Feel The Love Tonight" is the best one to win an Oscar. There are two versions, one sung by the characters and one by Elton John in the credits. Both are fantastic visions of romance though, working through the uncertainty of love until it's undeniable. Whether it's the African inspired music, compelling chorus, endearing piano, or Lane and Sabella's comedic touch, every element combines into one viscerally romantic experience.
"My Heart Will Go On"- Titanic (1997)
Written by James Horner and Will Jennings
Performed by Celine Dion
Like the film it's in, "My Heart Will Go On" has yielded success at every corner. As of 2025, it's the tenth best selling single of all time and the highest love song on this list. Vocally, Dion gives perhaps the most impressive performance in cinema history, slowly inviting you into this romance before fully belting out the iconic chorus. As an extra touch, the song also utilizes an instrumental motif from the score, deepening the song's connection to the film's doomed romance.
"Moon River"- Breakfast at Tiffany's (1961)
Written by Henri Mancini and Johnny Mercer
Performed by Audrey Hepburn
While there are many great singers and entertainers who've brought home an Oscar, sometimes all you need is Audrey Hepburn with a guitar. That's where "Moon River" began, and despite numerous renditions, Hepburn's version remains the best. Her vocals move like an alluring whisper, softly inviting you on a journey down the titular river. It's pretty straightforward, but the ambiguity of the lyrics allow for a wide range of emotional projection. "Moon River" evokes many ideas, such as romance, friendship, adventure, and freedom, but at the end of the day, it's a hopeful ideal representing a future that must be better.
"Over the Rainbow"- The Wizard of Oz (1939)
Written by Harold Arlen and Yip Harburg
Performed by Judy Garland
In many ways, "Over the Rainbow" is why we go to the movies. Of course, it's five star entertainment, with beautifully raw vocals by Garland and an array of moving imagery. Beyond that though, this song wears its aspirations on its sleeve, daring to dream in a sepia toned world. Film was still a relatively young artform upon its release, but "Over the Rainbow" epitomizes the escapism, beauty, and undauntable hope that movies could bring. The image of Dorothy journeying through Oz is iconic, but it's this song that proves film is capable of making us feel and dream in ways we never have before.
